Join Doug Peltzman at Snow Farm: The New England Program for a 9-day firing workshop in August. In this extended timeframe, the class will fire multiple times, each time examining, analyzing, and learning from the results. Doug will share his extensive knowledge and lead reflective… Read More

We are here. We want to be there. Identifying where or what constitutes here and there doesn’t matter much. It’s more about the dilemma of what needs to be traversed to close the gap between where we are and where we want to be. Along the way, there will be questions. In the June Issue, Cathy Lu… Read More

Last month, Studio Potter asked readers what they felt were the most relevant issues for ceramic artists in 2022. We received over a dozen responses, and one reader, @dominicpottery, commented, "balancing survival – from making pottery to artistic exploration and growth." This theme, in many ways… Read More

Baltimore Clayworks seeks an innovative Director of Artists and Programs (DAP) to elevate the impact of its mission. The DAP will oversee and expand the education, residency, exhibition, retail, and outreach programs. Successful candidates will possess a deep commitment to developing and nurturing… Read More

I am grateful for the opportunity to rekindle my dormant international and national friendships at the 56th Conference of the National Council on Education for the Ceramic Arts in Sacramento, California. It has been far too long since my last exchange with distant ceramic friends. Yet, in light of… Read More

My father and I share a conversation over a cup of coffee almost every morning. It's an unspoken agreement that the time it takes to indulge in our steaming twelve ounces is the time we protect to lose ourselves in each other's company. I've never timed a cup of coffee conversation, but there is… Read More

It is a privilege to introduce myself as the new co-editor of Studio Potter. The role of an editor is an honored responsibility, and I send my sincerest appreciation to my Co-Editor, Jill Foote-Hutton, our Director, Jessica Detweiler, and the board of Studio Potter for the trust they have placed in… Read More

Here we are again, sitting pretty at the top of another annum. A new year blesses us with a definitive moment to look back and assess, making note of the lessons behind us before stepping forward to break ground. This issue of Studio Potter was inspired by a conversation from our membership… Read More

2021 is closing with fifty-two stories added to the archives of Studio Potter. We all (a presumptive generalization, but understand the expression “we all” to acknowledge the intense energy emanating from the human collective that is our niche corner of craft) ­– so, we all – began the year with (… Read More

 In the November issue of Studio Potter, Harry Levenstein wrote Wonderfully Wild in Alabama: An Interview with Zach Sierke. Harry currently lives in the Berkshires of Western Massachusetts and works as the artist in residence and lab technician at the Bard College at Simon’s Rock. A practitioner of… Read More