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Self-taught

Nancy Utterback

If it hadn't been for my friend Scott's failed romance, I probably never would have become a potter.

One evening over dinner Scott told me he was building a potter's wheel for a girl he hoped to date. When that didn't work out, he gave the wheel to me. It was 1975. I was mar­ried and studying painting and drawing at the University of Colorado, pursuing my dream of becoming an artist. It was a strange time for me. My friends were all searching, and I also felt as if I would never find my path. So, even though my only exposure to clay had been in an art history class--the figures of Luca della Robbia still dance in my head--I accept­ed the wheel without reservation. 

I set up the wheel in our spare room. l found an old pam­phlet at the library on how to make a teapot. Even though I knew nothing about centering or throwing, as soon as I kicked the wheel, put my hands on the clay, and felt it mov­ing under the pressure of my fingers, I knew. I still remember the moment. The afternoon turned to evening and then night and then the next day. The summer flew by, with me at my wheel in a state of bliss. 

At the end of summer, I emerged triumphant. I had made a teapot. With pride and certainty, I announced I was going to become a potter. This, of course, begged an obvious ques­tion. Just how did one become a potter? I decided to teach myself. I scraped my pennies together and rented an old warehouse. Using the wheel Scott had made as a model, my husband Larry and I built nine more wheels, two tables, and a couple of shelves. 

I began to teach myself how to throw by making a pot on one wheel and then moving to the next. Each day I filled the wheels with freshly made pots. On the following day I would come in, remove the pots from the wheels and begin again. In a couple of months the warehouse was full of tiny, lop­sided pots and I was happy. 

Soon it was time to build a kiln. Since l had never actually seen a kiln, let alone fired one, I had to rely on the library once more. I found a nice picture of a kiln with two cham­bers. I pinned it up on the wall, counted out the number of bricks l would need, and began hounding used brickyards. After a dozen or so visits to what became my favorite haunt, the brickyard owner agreed to keep a lookout. 

 

SINGLE MOMENTS OF DAILINESS 

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Author Bio

Nancy Utterback

My current work is thrown, altered, slip-decorated, salt or wood fired, and rooted in function. It incorporates every aspect of my daily life. I weave together my family, clay, teaching, recreation, and artistic expression into the flow of days, months, and years. I spend four or five days a week in my studio, happily working and painting, recording my day-to-day existence from my journals and, hopefully, creating exciting and interesting pots. The rest of the time I teach and give workshops.

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