Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Login
Share
Login
Home
  • Become a Member
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • Calendar
  • Participate
    • Write for SP
    • Internships
    • Donate
      • Partners
      • Underwriting
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
Astour, near Zagora, Oasis region. These unique pieces, nearly 30” high, were commissioned by someone in a big city as decorative pieces in a hotel or mall. The white coating is ash from the fire pit.

Rural Red Clay – An Artist’s Journey Through the South of Morocco

David Packer

 The Weekly Souk

After waiting for Ramadan to end to leave Marrakech, the first stop in the search for local ceramics was the town of Tarandout, often considered a hidden gem with its perfect orange medina walls – a contrast that is even more noted after the brashness of Marrakech. It is in the fertile Souss River valley and surrounded by much agriculture and economic abundance. In the hotel, the conversation began with our plans for the day. When I announced that we were going to the weekly souk or "bazaar," in Arazane, there was some questioning, at least judging by the looks we received. Tourists do not go to Arazane for any reason! Another bias I would encounter is the fact that the ceramics I was seeking – rural, unglazed, red clay functional wares – were not considered significant, that they were just "used by country people." Many people are familiar with the glazed ceramics, both historical and those made for tourists, from the larger pottery centers such as Fez, Safi, and Tamegroute, but not the rural red clay.

After driving for approximately forty minutes, we pulled into the town of Arazane and immediately found the souk in a section directly bordering the main road, which was not hard to find. The souks have a combination of permanent vendors and those that are just in town for the day, a pattern repeated in all the souks we visited. One permanent stall on the edge of the souk, a dry goods store, had both ceramic bowls for breadmaking and water jars with simple decorations of red iron oxide on red clay.

...
Read more

Author Bio

David Packer

English-born David Packer has lived in the United States since 1983. Locations include Miami, Washington, DC, and New York City. He graduated with an MFA from Florida State University in 1994. He has curated shows at the New York Spring Break Art Fair (three times) and at Eighty-One Essex. Residencies include MacDowell in Peterborough, New Hampshire; Yaddo in Saratoga Springs, New York; Kohler in Sheboygan, Wisconsin; AIR Vallauris in France; and Youkobu in Japan. Select exhibitions include Exit Art and the Garth Clark Gallery in New York; the Navta Schultz Gallery in Chicago; as well as shows in Morocco, France, and Japan. Packer has received two Fulbright awards to conduct research in Morocco, living in Fez, Tangier, Marrakech, and Essaouira. In 2019, he published a book about Moroccan ceramics, The Earth Has Three Colors.

Book

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login