Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Login
Share
Login
Home
  • Become a Member
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • Calendar
  • Participate
    • Write for SP
    • Internships
    • Donate
      • Partners
      • Underwriting
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
Installation view, Mary Shannon Will: People, Places and Things, Nickle Galleries, University of Calgary, Alberta. Box of Test Tiles, University of Lethbridge Art Collection. Photo Credit: Dave Brown.

Pattern, Process, and Synthesis: The Ceramic Sculptures of Mary Shannon Will

Amy Gogarty

Between 1978 and 1985, Mary Shannon Will created remarkable ceramic sculptures. Comprising smooth, geometric forms layered with abstract patterns, the sculptures exhibit intricate surfaces and luminous colour. Mary Shannon Will: People, Places and Things, an exhibition curated by Diana Sherlock on view at the Nickle Galleries in Calgary, Alberta, from Jan. 1 until Oct. 17, 2021, includes over twenty sculptures among the almost one hundred artworks on view.[1] While the exhibition includes sculptures, wall-mounted ceramic constructions, process-based paintings, drawings, digital prints and mixed-media works produced by the artist between 1968 and 2020, my particular interest lies with her sculptures. 

With her sculptures, Shannon Will synthesized emerging directions and materials in studio ceramics with strategies deriving from avant-garde conceptual and process art. Around 1985, she turned her attention away from ceramics to drawing and painting, cementing her reputation in Canada as an important visual artist and maker of consistently original and affective works. It is tempting to dismiss her earlier foray into ceramics as an interesting but ultimately aborted venture. However, grounding these works in their historical period shifts our understanding of Shannon Will’s career path and helps to illuminate the contributions of women artists at this particularly fruitful period for studio ceramics. 

Born in 1944 in Sampson, New York, Shannon Will's family moved often, as her father, a university professor, taught at various institutions. In 1962, he was appointed head of the newly formed Department of Sociology and Anthropology at the University of Iowa in Iowa City. She spent a year at a liberal arts college in Cedar Rapids, Iowa, prior to transferring to the University of Iowa, where she gravitated towards art. [2]

Taking her first university ceramics class came about by accident. The sculpture class she had wanted to take was full, so she enrolled in ceramics. The ceramics studios were located in barracks across the river from the main campus, a situation that created isolation while fostering a sense of community among students and faculty. The medium attracted her, and she quickly became immersed in a curriculum focused on technical studies of glazing, kiln building, and firing, as well as reading assignments, drawing, and workshops led by well-known contemporary ceramists including Peter Voulkos, Paul Soldner, Rudy Autio, Warren MacKenzie, Daniel Rhodes, and Ruth Duckworth. 

...
Read more

Author Bio

Amy Gogarty

After teaching for sixteen years at Alberta College of Art and Design in Calgary, Amy Gogarty relocated in 2006 to Vancouver, BC, where she works as an independent writer and visual artist. She has written, presented, or published over one hundred critical essays in Canada and abroad. In 2021, she was named an Honorary Member of NCECA. She maintains an active ceramics practice and is a passionate advocate for ceramics in British Columbia. 

Website

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login