Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Login
Share
Login
Home
  • Become a Member
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • Calendar
  • Participate
    • Write for SP
    • Internships
    • Donate
      • Partners
      • Underwriting
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
  • L&L Kilns

A Convergence of Clay, Community, and the Environment

Alan Willoughby

Eco-plaza mosaic detail at Perkins Art Center-Collingswood.The world today is a very different one from the world of fifty years ago, when I first started working in clay. There are constant reminders about our carbon footprint, melting polar ice caps, and more. As a potter, I find myself asking questions about mining for clay and glaze materials and renewable and non-renewable energy resources. When mixing a glaze, I no longer just reach for the cobalt oxide, but think about how and where it was mined, and I am left with some apprehension and unresolved questions.

In retrospect, I realize these changes in the world around us are what drew me to the nonprofit sector twenty-five years ago, when I became the executive director of Perkins Center for the Arts, a community arts center in Moorestown, New Jersey. I left behind the life of a full-time studio potter and immersed myself in a setting that provided an opportunity to connect people, ideas, and communities.

In 2005, as Perkins planned its expansion to include a second facility in Collingswood, we, the staff and directors of the center, asked ourselves the question, “How could the arts, our primary mission and focus, be a part of growth and sustainability to a new community?” Adapting an existing building was a good start, but what about the water runoff from the roof, which flooded the first floor before washing onto the front lot and eventually finding its way into the public storm-water drains? 

Eco-plaza mosaic bench detail at Perkins Art Center-Collingswood.Gradually and with very limited resources, we developed a plan to address this problem. Working with Cairone & Kaupp, landscape architects in Philadelphia, Pennsylvania, we designed an eco-plaza site plan for the building’s front courtyard. Components included a rain garden and a courtyard, both designed to engage community members in art-making while addressing environmental challenges.

A rain garden is a shallow, landscaped depression designed to filter storm water runoff at the source. At their best, rain gardens remove pollutants from storm water runoff while recharging groundwater. Rain gardens can be an important tool for communities and neighborhoods to create diverse, attractive landscapes while helping to maintain the health of the natural environment.

...
Read more
Back to Issue

Author Bio

Alan Willoughby

Alan Willoughby is branding himself as a Re-Emerging Ceramic Artist now that he has retired from his post as Executive Director of Perkins Center for the Arts. During his tenure at Perkins Center, Alan developed innovative interdisciplinary arts and art education programs, which serve diverse audiences throughout southern New Jersey. Throughout his leadership at Perkins Center, he has been committed to his own work in ceramics, including the building of a Noborigama wood-fire kiln as a resource for artists and students in the region.  Alan holds a MFA in Ceramics from Clemson University, and is the recipient of two fellowship awards from the New Jersey State Council on the Arts. 
 

shustermanwilloughby.com

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login