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Implement Archive of Ellen Kleckner and Linda Tien installed. Photo credit: Linda Tien

Tools for Uncertain Times

Mary Callahan Baumstark

  

The IM-PLE-MENT ARCHIVE, an ongoing collaboration between visual artists ELLEN KLECKNER and LINDA TIEN, defies simple and tidy explanations. It is simultaneously a collection of objects to be used, a collaborative method of making, an interrogation of craft practices and intersections, and an ongoing contemporary artwork. The Archive began serendipitously in 2017. Kleckner and Tien had met five years earlier at the Appalachian Center for Craft, where Kleckner was finishing her BFA while Tien was there as a resident artist. They became friends by proximity (they shared next-door cabins there), and later began graduate schools at the same time – Kleckner at Ohio University in ceramics, and Tien at Indiana University Bloomington in small metals. A trip to see a mutual friend’s exhibition in 2016 reunited the two, as Tien was now the curator for the Columbus Museum of Art and Design. Tien visited Kleckner’s studio where she discovered Kleckner was making ceramic spoons, and offered to curate them into an exhibition at the museum. “It was one of the first times that I gave my work to someone without controlling the curation or exhibition,” said Kleckner.

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Author Bio

Mary Callahan Baumstark

Mary Callahan Baumstark is a teacher, writer, maker, and art administrator with her M.A. in Contemporary Art, Design, and New Media Art Histories from Ontario College of Art and Design University. She is the Executive Director of the Lewistown Art Center and an independent writer and critic.
Born and raised in the mountains of Montana, Baumstark received her BFA with an emphasis in Ceramics in 2013 from the University of Montana. Before continuing to graduate school, she spent a year as an intern and assistant at the Clay Studio of Missoula. Mary's award-winning master thesis, "Ceramic Craftivism: Activism and Resistance in Contemporary Clay," was the first piece of writing dedicated to redefining craftivism to include multiple craft media. 

In 2016, after completing her master's degree, Mary moved back to Montana. Since then, she has served as an adjunct faculty member in Art History at the University of Montana Western and became the executive director of the Lewistown Art Center. In addition to monthly exhibitions and special collaborations, Mary's projects include the first book dedicated to Socially Engaged Craft, Social Objects, essays for Studio Magazine, Ostracon Journal, & Studio Potter, and the first chapter of Critical Digital Making entitled "Toward a Practice of Digital-Handicraft," co-authored with Theresa Slater. You can follow her work @maryminimally or at www.bonedrybodies.com.

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