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JD and Megan Jorgenson with brick carrier and Pulaski, tools of their trades, in hand in front of their studio in Kimball, Minnesota, 2020.

Maine Prairie Studio: Portrait of Two Makers – The Confidence of Labor

Jill Foote-Hutton

Her hand can now confidently grip a Pulaski handle. She remembers learning the power of her body and mind working in concert. Years ago, when the tool was first handed to her, she gripped it less firmly. She learned to clear a trail through the trees; her body absorbed the memory of enduring movement paired with measured force. Each day a new vanishing point would be established and a new horizon would come into view. The forest, pushed back, revealed a unit of measure by which she could quantify progress

He digs beneath the land his family has been riding herd over for generations. He wears his father’s trophy buckle, “1975, North Dakota Rodeo Association, Steer Wrestling, Denver Jorgenson,” with legacy pride. The content of his language and the tools in his hands would appear to set him asunder, but the grit in his heart proves the inherited connection. Wrangling wild clay and rodeo both wear a body down through a series of hard-fought compromises, navigated by respect and labor.

Two journeys resulting in two souls matched in equal and assured stillness of spirit. Two bodies agreeing to one journey with a shared belief in the intelligence of hand work, tools, and sweat equity. One journey with room for the cadence of JD’s speech, punctuated by Megan’s laugh. There is a fluid, conversational assessment embedded in their gaze. An unspoken check-in as they move earth with their hands – to build a house, to build a studio, to grow a garden, to work the clay; they are independent and conjoined. A distinct union of spirits focused on a singular goal with many fronts.

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Jill Foote-Hutton

Author Bio

Jill Foote-Hutton

Born and raised by the descendants of hillbillies, Jill Foote-Hutton is an artist following in the tradition of medicine woman and storyteller through her creative practice, dubbed Whistlepig Studio. She has earned a living as a teacher, curator, writer, artist, and arts administrator since 2003. She has been graced with the opportunities to travel to Greece, Denmark, China, Japan, and glorious locales within the United States in the name of contemporary craft.
Whether she is spinning her own tales, chronicling observations from the world of clay and the world at large, or facilitating others’ voices through word and form, she has always been committed to the craft of storytelling.

Whistlepigtales.com

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