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Lydia Thompson, What Happens in Waiting. Ceramic photo decal courtesy of Kamau J. Bostic.

The Landscape of Our History - What You’re Looking for is in Your Backyard

Lydia C. Thompson

In the early 1940s, my grandparents were part of the Great Northward Migration, where they traveled from rural Mississippi and Georgia, and moved to Columbus, Ohio. My grandfather and uncle moved to Columbus first and found jobs at the Buckeye Steel Casting Company, formerly owned by George Bush Sr., and settled on the city's south side in the Stambaugh-Elwood neighborhood. It contained sixty tract homes, several churches, and a bodega, also known as a "carry-out," built by working-class families who migrated from the deep south. Several relatives and friends, who were also from the deep south, settled in this community wedged between the Columbus metropolitan downtown area and a central industrial area with several factories. My parents built a house on the other side of Columbus's German Village, which also consisted of working-class family single homes and various shops that served the community. 

Growing up in Columbus, Ohio, I've always been enchanted with neighborhoods and how everyone "looked out for each other." My mother had my siblings and me on a tight schedule with school, homework, dinner, and the occasional extra time to play outside before dark. My mother enrolled us in YMCA swimming lessons, private music lessons, and art classes at the Columbus College of Art & Design. Even though we had house chores on Saturdays, there was still plenty of daytime for fun-seeking and adventure. My mother would say, "Let's go somewhere." I referred to my mother, sister, brother, and myself as the Fantastic Four, based on the Marvel comics in the late 1960s. My siblings and I piled in the car and called out what seat we wanted: "I got the front seat" or "I got the seat in back of Mommy!" Listening to Ray Charles, Sly and the Family Stone, the Jackson Five, Stevie Wonder, and the Supremes with the windows down, our mother would take us to places throughout Columbus, and sometimes beyond the city limits. I think at an early age, I was observing the structure of neighborhoods and how the roads and buildings changed as we drove through different urban landscapes.

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Author Bio

Lydia C. Thompson

Lydia Thompson is a mixed-media artist who earned her bachelor of fine arts from The Ohio State University and a master of fine arts degree from the New York College of Ceramics at Alfred University. Her awards include a Fulbright-Hays grant, where she conducted research on traditional architecture in Nigeria, and a Virginia Commonwealth University School of the Arts Institutional Grant for an Artist-in-Residence (AIR) at the Guldagergaard International Ceramic Research Center in Denmark. She was also an AIR at the Medalta Ceramic Center in Medicine Hat, Alberta, Canada. Recently, she received the 2022-2023 Windgate Distinguished Fellow for Innovation in Craft award for an AIR at the Hambidge Center for the Creative Arts & Sciences and a 2022-2023 Artist Support Grant from the Arts & Science Council of Charlotte-Mecklenburg, North Carolina.
Her work blends the narratives of urban and rural human migration. Her work has been included in galleries, art centers, and museums such as the Mindy Solomon Gallery, the Society for Contemporary Crafts, the Baltimore Clayworks, The Clay Studio, the Clay Art Center, the Ohr O’Keefe Museum, the Kentucky Museum of Art and Craft, the James A. Michener Art Museum, the Crocker Art Museum, the Mint Museum, and the Northern Clay Center. She has completed public commissions for businesses, and her work is in private and public collections in the United States, New Zealand, Austria, Switzerland, and Italy. She has conducted workshops for youth and adults, given public lectures, and served as a juror and curator for national and regional exhibitions.
She has held various arts administrative leadership positions at universities throughout the country, which include Texas Tech University, Mississippi State University, Virginia Commonwealth University, the School of the Art Institute of Chicago, and the New York State College of Ceramics at Alfred University. She served on the boards of the National Council of Education for Ceramics, the National Council of Arts Administrators, the Lubbock Arts Alliance in Lubbock, Texas, and Clayworks in Charlotte, North Carolina. Currently, she resides and maintains her studio in Charlotte, North Carolina. She is a professor of art in the Department of Art and Art History at the University of North Carolina at Charlotte.

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