Education - Vol. 16 No. 2

June 1988

West African Pottery: A Portfolio of West African Pots African Art: Articlels by Dele Jegede and by Daniel Cobblah. The Case for Clay in Secondary Art Education - papers presented at the 1988 symposium at NYU by Edmund Burke Feldman, John Lidstone, M.C. Richards, David Ecker, Judith M. Burton, Angio Churchill, Claire Golomb, George Kokis, Judith Schwartz, Mary Roehm, David W. Baker, Wayne Higby, E. Andrew Mills, and Robert H. Gray. Body Building for Potters: A Clay-Blending Formulary - a popular technical article by Jim Robinson. Ed Nash and the American Hand - an interview.

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The Case for Clay in Art Education

By Gerry Williams

The Case for Clay in Art Education: A symposium held at New York University, New York, New York, January 28-30, 1988; transcribed and printed in this issue of Studio Potter journal, and reprinted later as a monograph.

African Art: Traditional and Contemporary Pottery

By Dele Jegede

Drawing distinctions between art and traditional African societies, as well as the use of the term "non-Western," underlines the necessity to recognize changes that have occurred in Africa, particularly within the last century. To understand the limited relevancy of certain terms and to differentiate between ancient, traditional, and current trends in the arts, a categorization of African art into traditional and contemporary domains becomes a useful classification.

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