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Donna Ray introducing "The Three Goddesses" at her gallery talk.

Donna Ray – Solo Exhibition

Jill Foote-Hutton

Ray discusses her research and theories with visitors at her reception.Donna Ray had her second solo exhibition at the Minnesota African American Heritage Museum and Gallery. The work was on display from December 12, 2023, through February 3, 2024. In a time where the topic of educational paths is being discussed, derided, or championed, Ray is an example of an artist following her own journey. She is living proof that there is room for everyone. She arrives at openings all over Minneapolis and is more than a welcomed guest; she is a force of persistent joy and will grab a friendly arm while saying how excited she is to come and see the art, “Describe this to me!” 

And now she has described a world vision for us with her exhibition “Women’s Equity and Gender Fluidity (3A’s) Education, Finance, and Real Estate.” Visitors were greeted by three goddesses imagined and interpreted by Ray based on mythologies from the continental Americas, the African continent, and the Asian continent. Rising from pedestals, they stoically greeted visitors. Imbued with powerful, feminine energy, Ray’s goddesses’ heads were not fixed in place, a nod to the feminine ability to transform. Openings in their bellies were repositories for offerings that became a treasure trove of resources. These goddesses were metaphorical treasuries of abundance. Ray wanted us to understand, “The goddess banks represent the financial history of women saving money. Years ago, women could not have credit cards or their names on a bank account, so women would save money in jars. I transformed the jar into a bank.”

Nine of the fifteen spoons Ray created for the exhibition.

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Jill Foote-Hutton

Author Bio

Jill Foote-Hutton

Born and raised by the descendants of hillbillies, Jill Foote-Hutton is an artist following in the tradition of medicine woman and storyteller through her creative practice, dubbed Whistlepig Studio. She has earned a living as a teacher, curator, writer, artist, and arts administrator since 2003. She has been graced with the opportunities to travel to Greece, Denmark, China, Japan, and glorious locales within the United States in the name of contemporary craft.
Whether she is spinning her own tales, chronicling observations from the world of clay and the world at large, or facilitating others’ voices through word and form, she has always been committed to the craft of storytelling.

Whistlepigtales.com

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