Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Login
Share
Login
Home
  • Become a Member
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • Calendar
  • Participate
    • Write for SP
    • Internships
    • Donate
      • Partners
      • Underwriting
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
Ehren Tool, "393," glazed fired and shot; one for each US combat casualty the first year of the Iraq War also called the second Gulf War.
Ehren Tool, "393," glazed fired and shot; one for each US combat casualty the first year of the Iraq War also called the second Gulf War.

A Compassionate Obsession

Barbara Balzer

Ehren Tool at Cypress College 2021

While researching the conceptual potter Ehren Tool for this article last year, I noticed his CV didn’t include the whopping $50,000 United States Artists Fellowship (USA Fellowship) he was awarded in 2010. When I asked him about it, he said, "Oops." Fascinated, I pressed him on it. "I just make cups all the rest of this stuff is really a pain," he answered, similarly disinterested in unnecessary punctuation. The guy who has given away over 25,000 – and counting – of his hyper-embellished "please-think-about-war" cups, is not kidding.

Returning disaffected from the 1991 Gulf War, the third-generation military man, upon landing, wanted to talk about war. Incessantly. For the unpleasant, even brutal, ideas Ehren wanted to share, he circuitously found a novel way to initiate, if not force, conversation: through the intimate surface of a simple cup. On the way, he found both a place to begin self-healing from witnessing war-time depravity and waste and to commune with his fellow marines, their fathers, mothers, siblings, spouses, friends, survivors, and his admirers are a subset of Americans for whom war is not an abstraction. War is a source of profound disenchantment, reorientation, and loss. His wife calls them "war awareness cups."

No matter what Ehren says, his cups are more than "just cups"; they are an important contribution to contemporary ceramic art. They are included in permanent collections across the continent, from the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C., to the Scripps Collection at the Ruth Chandler Williamson in Claremont, California. They have been featured on PBS’s "Craft in America" and in the New York Times. In 2010, they won him that prestigious USA Fellowship, awarded annually to only 50 of America’s finest artists deemed to "illuminate the value of artists to society." But all of that is, clearly, beside the point for Ehren. His cups are, more importantly for him, where they are most intended to be: in the hands, homes, and hearts of marine veterans, their families, and friends.

...
Read more

Author Bio

Barbara Balzer

Barbara, after practicing law for almost twenty years, earned a master of fine arts in sculpture. Her ceramic figurative work has since won many awards, including the President de la Generalitat Valenciana – First Prize at the X Bienal International de Ceramic in Manises, Spain. Barbara has led workshops in Europe, Asia, and the United States, and her work is included in museum collections around the world. Barbara works out of her small studio-garden on a converted autopsy table in Tallahassee, Florida, always in search of an idea.

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login