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Summer/Fall 2007
Clay & Words - Vol. 35 No. 2

Clay & Words; Speaking Volumes: Pottery and Word by Paul Mathieu; Baraka: Blessings in Clay by Mary McWilliams; Becoming Inarticulate by Simon Levin; Think Nothing of It by Hayne Bayless; Vineet Kacker: Speaking in Clay Sutras by Jon Keenan; Rendering Text by Lucy Breslin; Words About Words by Forrest Snyder; Antislavery Ceramics 1787-1865 by Sam Margolin; One Hundred Bowls of Compassion by Cate Bourke; On Text and Clay by Holly Hanessian; A Kenzan Incense Burner by Louise Allison Cort; and more articles by Tom Spleth, Karen Theusen Massaro, Ian Anderson, Bill Hunt, Linda Christianson, Jim Romberg, Elspeth Owen, Alan Steinberg, Fred Taylor, Joy Bridy, and Theo Helmstadter. Also, remembering Mary Scheier.

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Articles

Gallo-Roman Pottery 1-3 A.C.E.
Speaking Volumes: Pottery and Word
By Paul Mathieu
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Vase 11 inches tall. 2006. Stoneware, inlaid black slip, stretched slabs, Cone 10 reduction.
Think Nothing Of It
By Hayne Bayless
My growing zeal for clay collided with a growing disaffection with newspapering, and the idea came to quit the job and see if I could make a living making pots.
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Photograph by Forrest Snyder.
Words About Words
By Forrest Snyder
My new knowledge about what it took to physically create, as well as the ideas I explored through books, greatly colored my world. I started thinking of all visual communication - including the written word - in new terms.
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Incense burner with design of mountain retreat by Ogata Kenzan (1663-1743) Japan, Kyoto, Edo period. Stoneware with cobalt pigment under transparent glaze; gold lacquer repairs. H. 6.1 x 8.0 cm diam. Freer Gallery of Art, Smithsonian Institution.
A Kenzan Incense Burner
By Louise Allison Cort
By adding words to his image, Kenzan transformed the reference of this convention­al decoration, embedding it in history and deepening its resonance.
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LindaChristianson
The Practice of Reading
By Linda Christianson
By reading regularly each day, I find time to wonder, laugh, cry, escape, and get lost in a gifted writer's consciousness. It is an emotional experience that feeds my curiosity about how people, places, things, and ideas relate.
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Clay & Words - Vol. 35 No. 2

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