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June 1984
Chicago Potters - Vol. 12 No. 2

In Search of the Cutting Edge. Portfolio.The Cutting Edge by Anselm Atkins. Innovation: A Matter of Connections by Wayne Higby. Toward a New Design Aesthetic by Susan Wechsler. March to the Western Front by Garth Clark. Creative Limbo by Paul Soldner. The Clay Artist as Social Critic by Judith S. Schwartz. High-Technology Ceramics by Linda L. Breisch. Ceramic Fiber 1984 - fiber vs. brick by Regis C. Brodie; 17 Chicago Potters. Studio Health and Safety: Striking a Balance Between Caution, Cost, and Calamity by Julian A. Waller. To Be a Potter in Africa by Janet Roberts. The Ceramic Collection of the School of American Research, Santa Fe, New Mexico by Rick Dillingham. The Peters Valley Woodfire Conference by Louise Allison Cort and Malcolm Wright.

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Articles

Innovation: A Matter of Connections
By Wayne Higby
As a society and as individuals, we assume innovation is a necessary element in significant artistic expression. This assumption that the highest expectation for the artist is to introduce something new is a pervasive part of our nation's collective consciousness.
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David Shaner, Untitled, 1984, woodfired stoneware, 12 x 15 in.
The Peters Valley Woodfire Conference
By Louise Allison Cort
"What is it about woodfired pots that speaks so eloquently and to so few of us?"
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The Cutting Edge: The Clay Artist as Social Critic
By Judith S. Schwartz
It was during the 1960s that America began to develop a genre of ceramic sculpture that can be truly described as an indigenous movement.
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Chicago Potters - Vol. 12 No. 2

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