Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Login
Share
Login
Home
  • Become a Member
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • Calendar
  • Participate
    • Write for SP
    • Internships
    • Donate
      • Partners
      • Underwriting
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
The Riparian Edge North public art in process by Diana Kersey
The Riparian Edge North in process with Diana Kersey. 2020 Alicia Wiesse photo credit

Ceramist Diana Kersey’s Physicality: Public Art and Placemaking, Part I

Teresa Eckmann, Ph.D.

Completing private and public commissions, in addition to creating, decorating, and firing thousands of vessels during my career as an artist/potter, is not unlike how I learned the game of basketball: through practice, study, failure, disappointment, victory, and determination. This artistic path, in addition to my recently completed public art projects, has allowed me to master my ceramic process and has prepared me to take on a project of any scale. [1]

– Diana Kersey, 2015

“I do not drop the ball” explains ceramist Diana Kersey as she advises art students on what it takes to succeed in the realm of public art.[2] Active communication, kindness, gratitude, punctual completion, and “over-delivery” from the artist, in Kersey’s experience, is of key importance to those commissioning public art.[3] With a solid reputation built on these very qualities in addition to a sumptuous production, Kersey’s career in public art has developed exponentially.

exterior ceramic tile public art by Diana Kersey in San Antonio

From the first city capital improvements project she secured, The Life Cycle of the Gulf Coast Toad (2009–11) at Mulberry Bridge in San Antonio’s Brackenridge Park, to the monumental ceramic murals, The Riparian Edge built for the Pearl Office Towers Oxbow Building on Broadway Street at East Grayson Street (2019-2020), a private commission in the public realm, the ceramist has crafted her proficiency in placemaking.  Kersey demonstrates a command of material and process, community engagement, and targeted research with a curatorial eye.The Riparian Edge North public art in process by Diana Kersey

...
Read more

Author Bio

Teresa Eckmann, Ph.D.

Teresa Eckmann is Associate Professor of contemporary Latin American art history at the University of San Antonio, Texas. She is the author of Neo-Mexicanism: Mexican Figurative Painting and Patronage in the 1980s (UNM Press). She has curated several exhibitions in her field including most recently, Alberto Mijangos,159: A Retrospective of His Art (and Life), and Status? Prints from Puerto Rico to San Antonio for the city’s Department of Arts and Culture. She is currently working on a second book project, Growing Urban Presence: A History of Public Art in San Antonio.

Teresa Eckmann UTSA

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login