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Book Review: An Enduring Legacy

Leigh Taylor Mickelson

Milestones beg for reflection – The ups and downs. The successes and failures. The lessons learned. The experiences, the relationships, the turning points. The Work. 

When Peter Callas’ solo museum exhibition tour was going to coincide with his fiftieth year as a practicing artist, he knew it was time to do something special. Aside from preparing an enormous body of wood-fired abstract sculptures and vessels to be exhibited, Peter found himself with stories to tell. Hence, the exhibition catalog for An Enduring Legacy, curated by Jo Lauria and sited in February 2022 at the American Museum of Ceramic Art (AMOCA) in Pomona, California, comes with a few bonuses – a tell-all twenty-page autobiography that Peter entitled Reasonable Madness as well as two reflective and revealing essays: one by Glenn Adamson and one by Glen R. Brown, two giants in the field of ceramics and craft. To top it off, the exhibition debuted with a brand-new documentary film entitled Callas: Life on Fire, produced by his filmmaker son, Michael Callas, which is already winning awards in film festivals around the globe. The exhibition, catalog, and film paint the picture of a life, well-lived, with clay at the core.  

In the opening of his autobiography, Callas states, “Fortune and fate, my life revolved around chance and inspiration that lead to an unusual career and an obsession with ceramics.” Those of us who have chosen the clay path can relate. It is a strange life, propelled by something within that drives us, mixed in with what you see, who you know, and old-fashioned ingenuity and stick-to-it-iveness. It was all of the above for Peter, with some luck thrown in. After a somewhat boisterous childhood, followed by some rowdy teen years, which included a military academy as well as Woodstock, Peter found ceramics in college out of pure “academic boredom.” In 1970, when “nothing clicked,” he signed up for his first ceramics class “and immediately felt a connection with the way clay moved.” 

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Author Bio

Leigh Taylor Mickelson

Leigh Taylor Mickelson is an artist, writer, curator, and independent consultant working with arts businesses and nonprofits to help them develop and grow. Visit her websites at www.ltmartsconsulting.com and www.leightaylormickelson.com to learn more.  
Leigh Taylor Mickelson, a resident of Ossining, New York, is an artist and independent consultant with twenty-four years of experience in nonprofit arts management and program development. From 2012 to 2019 she served as executive director at Clay Art Center in Port Chester, New York, and was formerly on staff as the program director. In 2006, Mickelson moved to New York from Baltimore, Maryland, where she was the exhibitions director for Baltimore Clayworks for nine years. In her twenty-two-year career as an arts administrator and curator, she has curated and organized dozens of ceramic exhibitions for galleries and organizations across the United States, and from 2013 to 2018 served on the board of the National Council on Education for the Ceramic Arts (NCECA) board as their exhibitions director.
Mickelson has a Bachelor of Arts in Studio Art and English Literature from Hamilton College, where she graduated Summa Cum Laude and Phi Beta Kappa. In 1995, she earned her Master of Fine Arts, Ceramic Sculpture from Rochester Institute of Technology's School for American Crafts. In addition, she is a 2012 graduate of Leadership Westchester.
Mickelson has published several articles in various publications and catalogs, teaches ceramics and workshops across the east coast, and exhibits her work widely across the nation. She received a 2003 Maryland State Arts Council Individual Artist Award for her abstract organic sculpture, her work was showcased in an article in the March 2005 issue of Ceramics Monthly, and in 2010 she presented her work at NCECA in Philadelphia. 
 
 
 

LTM Arts Consulting

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