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Tyler-James Anderson at Odyssey ClayWorks

Tyler-James Anderson

Randi O'Brien

January 01, 2025

In mid-November, I sat down for a remote conversation with Tyler-James Anderson, who spoke with me from his office at Odyssey ClayWorks in Asheville, North Carolina. Our conversation spanned a wide range of topics, from the evolution of his studio practice to the devastating impact of the recent hurricane and subsequent flooding on the local ceramics community. We discuss how these events have reinforced the communal spirit of artists in North Carolina. Through it all, Tyler-James shared his thoughtful perspective on community and the ever-evolving role of art in times of crisis.


Randi O’Brien  (ROB): Can you give our readers a background of where you're originally from and when you made North Carolina your home base?

Tyler-James Anderson  (TJA): I am originally from Southern California, in between LA and San Diego.

I lived in Middle Tennessee for a little bit. I moved out there with my background and degree in music, audio engineering, and sound design. 

Before ceramics, my main thing was music. Initially, I moved to middle Tennessee with a band. The band that I was performing with fell apart in middle Tennessee, and so, it was a lucky coincidence because there was a gal up the road, Susan DeMay, who did ceramics. I had always done ceramics for fun, but I trained with her for a year and a half before I ended up in Asheville. 

ROB: You said you were dabbling in ceramics throughout your early career. How long would you say you've been a professional ceramic artist?

TJA: I would say for the last ten or so years. I wouldn’t consider it professional before that. I took ceramics anytime I had an opportunity, electives, and gen-eds; technically speaking, I've been making pots since I was thirteen.

ROB: Do you have any academic background in ceramics; did you receive a degree in studio ceramics?

TJA: No, in ceramics, I didn't. Much of my knowledge base in ceramics is somewhat self-taught; I apprenticed with Susan in Middle Tennessee. And I have some training from school, but it's not your Ceramic 101 training. Much of my knowledge is based on being curious and getting bored quickly. And wanting to try new things.

...
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Author Bio

Randi O'Brien

Randi O’Brien is a multiracial ceramic artist, historian, author, professor, and administrator from the Rocky Mountains. She earned both an MFA in ceramics and an MA in art history from the University of Montana. O’Brien is currently an associate professor and head of the ceramics, sculpture, and jewelry program at Irvine Valley College in Orange County, California. She is also the executive director and editor of Studio Potter. 

 

O’Brien exhibits across the United States and globally; selected locations include: Kilkenny, Ireland; Valparaiso, Chile; Alberta, Canada; and New York, among other states in the US. O'Brien has curated numerous exhibitions and has presented her research on ceramics at conferences and for organizations, including: NCECA, the National Cowgirl Hall of Fame, The Women as Change Makers Summit, Montana Education Association, Xuchang International University, Ceramics Ireland's International Ceramic Festival, among others. Her research has been published in Ceramics Monthly, Ceramics Art and Perception: Technical, Ceramics Ireland, and Studio Potter.

 

A descendant of early Hispano settlers and Indigenous American ancestry on her maternal side, paired with a paternal heritage of eighteenth-century English settlers, O'Brien celebrates the different expressions of what it means to perpetually move between cultures and her multiracial identity.

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